This is a space for conversation leaders and guests to pose questions, propose ideas, share successes, tactics, tools and resources with one another that have not been addressed in other threads.
This is a space for conversation leaders and guests to pose questions, propose ideas, share successes, tactics, tools and resources with one another that have not been addressed in other threads.
I would like to share with you all a very creative and beautiful project, by Laila Sandroni and Bruno Tarin, from Brazil. Entitled Tupi Vivo – Affective Cartography, this work is part of an artistic residency grant that wanted to show from a very innovative perspective the voice of the indigenous peoples of the Tupinambá village of Olivença, in the south of Bahia. The producers said that their work had the goal "to promote aesthetical interactions between contemporary art and popular culture".
With the Constitution of 1988 was created the legislative opening required for the recognition of Tupinambá and other peoples. In the 1990s, there was an escalation in the struggle for the territory demarcation based on a process of “re-taking” the land and the culture stolen from them. In 2001, the Tupinambá of Olivença were finally officially recognised by the National Indian Foundation and the demarcation of the Indigenous Territory was published in 2009.
However, this initial demarcation was never approved and now the process is stalled in the Ministry of Justice. The state held three changes in the boundaries, in line with the interests of the big cocoa producers of the region. Several political and institutional forces act to stop the ratification of the territory and the terms established by federal courts are constantly postponed. Today there are over 6,000 Indians living in Tupinambá territory, meanwhile the struggle for their territory continues.
Check their website http://www.en.tupivivo.org/